Saturday, August 31, 2019

ARE THE OTHER AMERICAS CALLING YOU TOO?

Loved the rhythm in this song. Rapid, rising, building. Loved it.  

And this gentleman produced a stunning performance.  


And it all started with this piece, "El Gavilancito" by Son d Madera.  Thanks to Robert Higgs.   



One more.  It's good.  You'll like it. 

Sunday, August 25, 2019

El Balaju

Another great offering from Robert Higgs.

The Roger Wagner Chorale, "A Mighty Fortress Is Our God"

Another great offering from Robert Higgs.


The introduction to the song reads: 
"A Mighty Fortress Is OurGod,” based on the 46th Psalm, was written by Martin Luther in 1529.  First used as a song of protest, it quickly became known as the “battle hymn of the Reformation.”  The song was first published with English lyrics in 1539 when it appeared in Coverdale’s “Goostly Psalmes.”  The music has been given well over fifty settings and has been used by many composers.  Bach harmonized it several times and used the text for his Reformation Sunday Cantata (No. 80).  [Some help.] Meyerbeer incorporated the melody in Les Huguenots.  The song was also used by Mendelssohn in his Reformation Symphony, by Richard Wagner in his Kaisermarsch.  Without a doubt, it is the best loved of all German chorales.  (arrangement by Roger Wagner & Ernest Gold).
I particularly loved the most recent comment by bearclawhogs44 three years ago, which reads, 
This—THIS—is what worship should be.  No foppish sentimentality.  Singing with strength, heart, and delight.  Praise God. 
Those Germans sure know a thing or two about music and religion.  


And this video 
makes the point that 
With the exception, perhaps, of John Newton’s hymn “Amazing Grace,” it is doubtful that any hymn is more widely known and loved than Martin Luther’s “Ein feste Burg ist unser Gott” or “A Mighty Fortress Is Our God” in its most common English translation. 

Saturday, August 3, 2019

SHRINE AUDITORIUM, 1926

I came across these photos of the Shrine Auditorium, and it reminded me of my dad sharing a few but cryptic moments at the Shrine Auditorium.  I could not recall the specific event, for I was 10 or 11 then.  I thought it had something to do with a prize fight but I was probably confusing that with the October 1, 1975 "Thrilla in Manila" fight between Muhammed Ali and Joe Frazier in Manila, the fight that I saw on closed-circuit TV at the Pasadena Auditorium with my dad and Chuck Pullman.  But I recall that Dad used to talk about going to the Shrine Auditorium, probably to see a fight, maybe a speaker, perhaps even an evangelist.  I don't know for sure.  But in that context, he would often include the names of [Bill] Conroy and [Joe] Sullivan, maybe even his buddy Bob Smith.  

I couldn't recall exactly what event it was related to events with the County or events with the Sheriffs?  Dad did say that he had to wear fez hats when he went inside that was given to him because of venue mandate.    

It looks like the Grammy Awards were held there until the year 2000.  Academy Awards were held there for a couple of years.  In 1953, he Annual Los Angeles Examiner Christmas Show was held there.  It was the home of the Trojan basketball team home games for 33 years; that's impressive.  One or two LA Laker playoff games were held there.  Michael Jackson's Pepsi commercials were filmed there.  Presley performed there in '56.  A major jazz festival was held there in '58.  

I sent my questions to Dan, who replied in this way: 
One thing you have to remember - Dad had Press Pass(es) for many years.
He covered stories for a couple of LA County publications, so he would go to the various venues in Los Angeles, and get in free.
He was the Editor and Contributing Author Los Angeles County Employee Magazine and the Star-News a small publication for the Sheriff's Department.
The latter he did for many years.  I think it was in the early 60s or late 50s.  Then Under Sheriff James Downey [who actually worked on the 1947 Black Dahlia case] got wind of the fact that Dad was not an LA Co Sheriff's employee anymore, so he told Bill Conroy to assume those roles.  Conroy knew Dad loved [writing stories], so he had Dad do some of the articles, cut and paste the articles submitted by various contributing writers, and paid Dad a small stipend for his time and effort.
I used to cut out articles for Dad's Star-News and then tape them onto a legal-sized, hard-bound divider paper for him in our garage where the dining room joined the living room.  The garage was my dad's office, and his office felt like the spartan accouterments of a war correspondent inside his tent on the perimeter of the battlefield.  It consisted of a cardboard table, his famous green graphite lamp, coffee pot warmer, 3-hole punch, scissors, and other office supplies in the nook where the dining room joined the living.  
Later, he wrote a column "Let's Be Civil" for the Superior Court Clerk's Local 575 publication.  I am guessing that when Conroy retired on a medical retirement that is when his relationship with the Star-News ended. 
He liked getting backstage and getting up close with the stars and then sharing his inside scoop from his angle.  In addition to writing the story, I think he always hoped to sneak in a cartoon whenever possible.
He may have had to wear a Fez hat or was given one as a souvenir for covering a story.
I remember going to the Shrine Auditorium with Dad to see the circus - I am guessing it was Barnum & Bailey.
I think there may have been other events, but I don't recall them at this time.